Guest Speaker : Upcoming
Speakers : Meeting Schedule
Who's
Invited? : Workshops :
Critique Group
Monthly Meetings
OUR GUEST SPEAKER FOR SEPTEMBER 4TH, 2008
Ric Slocum, Professor of Drama, Our Lady of the Lake, will
discuss Dialogue.
He was a professor of drama and interim dean of the College
of Arts and Science from 2003 through 2004 at Our Lady of the
Lake University. He then was director of the Division of Creative
Arts from 2004 through 2005.
Slocum was a member of the Resident Company at the Dallas Theater
Center, a designer and actor with the American Repertory Theater
Company in Hollywood, Calif., and the artistic director of the
24th Street Experiment Theater Company.
Slocum graduated from Oklahoma City University with a Bachelor
of Arts degree in Speech and Drama and received a Master of Arts
degree from Trinity University in San Antonio.
UPCOMING SPEAKERS
- November: "The Miracle of CSI: Integrating Police
Procedure Into Your Writing" by Joe McKinney, horror
fiction writer and San Antonio Police Homicide Detective
How would you like to know something about police procedure?
Then try "The Miracle of CSI: Integrating Police Procedure
Into Your Writing" at November's SAWG meeting.
Joe
McKinney is a horror fiction writer and by day he is a
San Antonio Police Homicide Detective. Much of his fiction
utilizes his training and experience in forensics and disaster
mitigation.
His first novel is Dead City (Kensington Press,
2006), an apocalyptic tale of zombies and survival horror.
He said he plans to sign and give them away at the meeting.
He participated on a panel, "Bloodsucking Friends:
Vampires" at the ArmadilloCon in Austin this August.
He
is also the author of Quarantined (LBF Books, 2009), a
science fiction disaster story based on his training and
experience which comes out in February. After that he has
a collection of three horror and science fiction novellas
entitled Peacekeepers (Magus Press, 2009) and another horror
novel called Inheritance.
Joe has a Master’s
Degree in English Medieval Literature from The University
of Texas at San Antonio.
He currently lives and works in
San Antonio with his wife, two daughters, and two psychopathic
cats.
Visit Joe's blog »
- December 4th: No speaker is scheduled. Instead we celebrate
the holidays together with a pot luck dinner.
- January 8th: We've moved the montly meeting to the 8th knowing
that no one would show on New Year's Eve Day, the actual first
Thursday of the month.
MEETING SCHEDULE
The San Antonio Writers Guild meets the first Thursday of each
month at
7:30 p.m. at Bethany Congregational Church at 500 Pilgrim
Drive in San Antonio. The first Thursday date is bumped to the
second Thursday when holidays interfere, such as New Year's Day,
Independence Day, and church holidays. The Board of Directors
Meeting begins at 6:30 p.m., before the general meeting. The
directors meeting is open to the general membership, but closed
to visitors, except by invitation.
What Happens at a SAWG Meeting?
At the beginning of meetings
we welcome new members, members share good/bad/funny news, guild
business transpires, sometimes we raffle donated books. A program
follows, most often presented by guest speakers on a wide range
of topics of interest to writers. Afterwards, membership splits
into groups for workshops.
Learn more about workshops »
View the programs archive » (coming
in the future)
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WHO'S INVITED
All persons interested in the writing profession
are invited to the meetings of the San Antonio Writers Guild.
Visitors are welcome to attend. If you like our group, we encourage
you to become a member and attend future meetings.
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WORKSHOPS
Workshops at the monthly meeting are divided into fiction,
non-fiction, and poetry. Each workshop has its own rules about
how much is read, but generally a person's work is read and
workshop participants offer friendly criticism and advice.
Workshops are held after the business and program part of the
meeting. Workshops are held 11 months of the year: January
through November. (The December meeting is the Holiday Party.)
Fiction
A person must be a member
to have their work read. Members sign up the month before
to have their work read and critiqued. The piece must be
no longer than 10 double-spaced pages in 12-point font
(pica). Therefore, the piece is a short story, part of
a chapter, or similar. The author needs to pick someone
read his/her piece and the author can ask someone in the
workshop to read it that day. The author should bring three
copies of the piece, one for the reader, one for the author
to follow along, and one for any member who is hearing
impaired. With the author's copy, the writer can mark items
that come to his/her attention during the reading. (If
the reader stumbles while reading the piece, that indicates
there might be a problem with the sentence structure. If
the author can bring additional copies for other workshop
participants to follow with, that's great, but not necessary.
Just expect the other workshop participants to mark on those
copies. The author can briefly "set up" the reading
especially if the reading is a portion of a book, but shouldn't
do any additional explanation before or after, especially
if the piece is a stand-alone (complete short story) or the
first chapter of a novel. The workshop participants critique
the work after the reading and the advice is given on a "take
it or leave it basis." Authors do not get a chance to
respond to the advice (Writers don't get to respond to a
reader's comments after the book is published. As an author,
you can't go around the country and explain what's in the
book)
Usually there are three pieces read at each workshop.
Non-Fiction
A person must be a member to have their work
read. Each piece is up to five double-spaced pages. The author
can bring enough copies so each person (usually from six
to nine) can have a copy to follow along during the reading.
The workshop members generally make notes on the copy and
hand it back to the author. The author can read the piece
and explain it. Advice given by workshop participants is
on a "take it or leave
it basis."
Poetry
A person must be a member to have their
work read. Usually three poems from each person are read
and there is time to read the poems from three or four people,
which means from nine to 12 poems are read each night. After
a poem is read, the workshop participants offer editorial
and friendly comments. The workshop participants tell the
poet how they saw the poem and the poet tells the workshop
participants how s/he saw the poem.
Children's Literature
A person must be a member to have their
work read. The workshop is currently without a leader and
no children's literature group meets. If there are writers
interested in forming a workshop group, one will be formed.
Learn more about workshops »
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